Call Number:
C811.540997 M726ho 2011
Publisher, Date:
Iowa City : University of Iowa Press, 2011.
xxii, 217 p. ; 23 cm.
Contemporary North American poetry series
Includes bibliographical references and index.
Introduction: rear projections: marginal communities and the outlaws of the revisionist cano -- The cartography of dissidence: Los Angeles and literary history on the West Coast -- Thinking alone in company: L.A. literary magazines during the Cold War -- I cannot imagine the extent of their aloneness: Venice West and the new American poetry -- Left-handed blows: beyond baroque and the Los Angeles poetry Renaissance -- Faultline communities: multiculturalism, stand-up, spoken word, and the maverick avant-garde in Los Angeles -- Afterword: the subjunctive legacy of the West Coast poetry renaissance.
9781609380731 (pbk. : alk. paper)
1609380738 (pbk. : alk. paper)
Where Is It?
In Hold-Outs , Bill Mohr, long a figure on the Los Angeles poetry scene, reveals the complicated evolution of the literary landscape in a city famous for its production of corporate culture. Mohr's multigenerational account of the role of the poet-editor-publisher in Los Angeles community formation is nothing less than a radiant mosaic of previously little-known details about an important center of American poetry. While explaining the important role of L.A. in contemporary American poetry, Mohr also explores the ideals and perils of the small press movement in the twentieth century, providing a new generation of literary activists with the knowledge that is needed to inspire their own redefinitions of the social value of alternative artistic practices. Drawing on extensive archival research of original documents, Mohr argues that West Coast poets in general (and Los Angeles poets in particular) have been part of what can be called not so much a haven of more imaginatively inspired artists but, rather, a site of revisionist creativity . Revealed here are the personalities (including Stuart Perkoff, Wanda Coleman, Leland Hickman, Paul Vangelisti, Don Gordon, Suzanne Lummis, John Thomas, Ron Koertge, and Charles Bukowski, among others), the institutions, the publications, and the informal poetry groups that together formed a matrix that encouraged poetry to be written, performed, published, and acknowledged. Hold-Outs is a stunning roadmap of the interwoven contexts of an ongoing cultural debate whose most important witnesses are finally being heard.
Large Cover Image
Librarian's View

Add to My List